Sometimes you stumble upon gold and with Peter Hartog’s debut novel I did just that. That he is an Indie author makes it even more impressive. It is very accomplished, the characters distinctive, the dialogue sharp and punchy, the story a breakneck ride.It is set in a near future, dystopian world that reminded me of Megacity One or Bladerunner where most of the world’s population reside in one of about fifty-odd city enclaves. Our story is set in Empire City, formerly New York and it follows the life-weary travails of Thomas ‘Doc’ Holliday, PhD in Eng. Lit, a coffee drinking, Shakespearean quoting (other famous historical writers are also available), burnt-out detective in the ECPD.
Doc’s rugged, edgy demeanour reminded me in no small part to Deckard, in the afore-mentioned Bladerunner. He has suffered loss and a fall from grace and is mostly desked, going through the motions and entering other peoples reports and paperwork etc. But Doc is more than he seems and he knows it even if he doesn’t admit it to himself. He has the ‘Insight’ and he has been noticed.
I won’t give any spoilers but suffice it to say it cracks along at a fair old pace. It starts with a mysterious murder that is more than it seems. The plot twists and turns as did the pages as I just needed to see where the story was going.
The characters were all so interesting, fleshed out, flawed and unique. So well scribed you could give me a line of dialogue from the book and I would know who said it. The suspense was great, the mystery bigger and more dangerous at every turn and the momentum built to a brilliant climax. Jim Butcher would have been proud of this if he’d written.
All I can say is, thank the heavens there is another book out ‘Pieces of Eight’.
Disclaimer: I was given a free audio code by the author. He did not ask me for a review but I will be providing an honest one.
This is my first audiobook so I was keen to try it out and see what all the fuss is about. It took me maybe half an hour of narration before my mind kicked in and I no longer heard the narrator, just the characters and the story she was narrating which was a bit of a revelation in itself. For me, it will never beat a book but I enjoyed my experience immensely and can see the popular appeal.
The book was narrated by Cari Scholtens and she did amazing work. Our eponymous hero is male and many of the stories are male-centric yet she did an excellent job of distinguishing all of the characters giving each a distinctive inflexion. The highest accolade I can give her is that I did not notice her after my brain had adjusted to the medium.
So the story or stories – These are a collection of short stories giving depth and background to Soloman Pace. I am not a short story reader by and large but this collection I did not mind because they were all about Soloman Pace. It gave an intriguing and beguiling look into the history of this character. Is he evil, egomaniacal, brutal in the extreme, uncompromising? Yep, pretty much all this and more. He likes to operate in the shadows pulling the strings but at the same time is not above getting his hands bloody and even takes a perverse pleasure in it.
Soloman is no Nightwalker (Vampire) but he evoked the menace of Vlad the Impaler to my mind. Self-confident (overly so in many cases) but he was so much more than someone inherently evil and each story added another layer of complexity to the man. Yeah, he was bad, but he was never bad just for the sake of it. His actions always had a purpose and he was willing to do whatever was needed to achieve it and at whatever cost (mainly to others but hey-ho he is a badass).
Soloman Pace did show glimpses of compassion. Not much and never on open display but it tantalised in several of the stories, enough to know he possessed some, even if it was buried pretty deep. I particularly liked the last story, I thought it was artfully done and very clever because it seemed, almost, an antithesis to what had gone before.
I’d like to thank the author, first for giving me a free code because it introduced me to his work but second for writing his stories. I know what a great effort it takes, oft with little reward and even less recognition. Alan Scott, you are not only a good writer, but you’re also a great storyteller. For me, it doesn’t get much better than that.
5/5 stars – A Brutal, visceral Grimdark Horror that will stay with me
I am not a massive Grimdark fan. I have read a few before and most have failed to engage me. Not so Halo Scot’s offering. It grabbed me by my shirt front (okay T-shirt) and did not let go until the last page.
The story is set thousands of years in earth’s future and it is not a happy one. The planet is scorched and has flipped so that Antarctica is the new north and humankind lives there in a desert wasteland. A rift has opened, a gateway to the seven realms, it seems we are not alone and the gods are revealed. Powers are awakened in humans that mirror the four seasons, summer for mages, winter for shields, autumn for shifters and spring for healers.
Into this backdrop come Kyder (our antihero) and Rune (our hero). One born at the height of the summer solstice, the other the winter. The most powerful of their kind they are two sides of the same coin. One broken by birth, the other broken by death. One a psychopath, the other an empath. One born on the fringes of society the other at the heart.
No story is for everyone (I mean some people don’t like Lord of the Rings if you can believe that!) but this story should come with a health warning. I found it as disturbing as I did fascinating and I could not stop reading it.
The story alternates from each protagonists point of view and moves at a great pace from when they are children to young adults. Halo Scot pulls no punches, is brutal to the point I would have turned away if I watched this on a screen, but reading it I had no choice but to read the words, live the emotion, good and bad. It is morally indecent, a lot, which I found more disturbing than the violence. I mean, violence is a known thing, right? We all watch it and read it and see it happening in our world. But what we think, what we know of as right and wrong, those deep, dark questions that hide in the back of our minds are so much scarier when they are on a page (or maybe that is just me).
Into the Breach is much more than all that though. What really carries the story is the conflict of emotion, the war of the soul. It is a story of love rather than hate and of redemption (yes, that old chestnut we all love). I was sucked into Kyder and Rune’s world and bought into their lives in equal measure.
We love Hannibal Lecter for his intelligence and hate him for his cruelty and he scares the s**t out of us, well Kyder is cut of the same cloth. I wouldn’t say he was my guilty pleasure but he was my guilty something.
Anything I didn’t like? Well not really. Maybe a small bugbear, a gripe, that both protagonists break the fourth wall at times and talk directly the reader. Just a thought here or observation there. Well, I didn’t like this. I didn’t notice it in the first half of the book – only the second but that could just have been due to shock! It was a conscious decision by the author, presumably to engage the reader. Make them feel they were part of the story if only a witness to it and I get that some people will love this (I mean, I liked Deadpool’s fourth wall breakage) but for me, it ruined the spell that had been cast, took me out of rather than into the story. Like I say, potatoes, potatos. Thankfully, for me, it was not overused.
This book will live with me for a long time. It is beautifully written, all the characters feel so alive and uniquely distinctive and oh so very human. I could go on, could probably write an essay on this book but well I won’t, too damn lazy and who would read it!
If you are still intrigued after reading my review then stop procrastinating. Go buy it and read it yourself and go write your own damn review. Halo Scot, I salute you, even though you scare me a little and there is three more books to come. Gulp.
I picked this book up before I knew it was the winner of the SPFBO6 and I can see now why it won. It was very well written. The characters all unique, distinctive and the dialogue and interactions between them brilliant. The story was action-packed from the start and it never really let go until the end (kind of).
I do admit to a certain conflict. Whilst I found The Lost War well-plotted and artfully penned, I felt the characters were a little contrived. It was a reverse of convention whereby all the women protagonists were strong, clever and righteous and possessed an abundance of martial prowess whether it was Allandria’s bow or Samily’s warrior or Nirea’s pirate with twin scimitars. Whilst it fell to the men to have all the faults. They were variously flawed and knarled, made dumb choices, drank too much or were overly self-important. Now, having said that it does work. JLA writes it in such a way you can understand why Glorbad drinks so much (hints of PTSD) and why Aranok takes everything on his own shoulders. And, whilst it makes for a very engaging tale because of this, in many ways I found the male protagonists more interesting due to these foibles these bad traits. I guess what I am saying is that I would like to have seen a more flawed female protagonist although I rather suspect I might be seeing one in book two!!
Overall, it was a great read and rips along, the action fast-paced and brutal with an element of mystery threading through it. I thoroughly enjoyed the ride and especially liked the ending. It was different in many ways and whilst I won’t elaborate or give any spoilers it was an ending I thoroughly enjoyed and sets things up beautifully for book two.
If you love fantasy stories and don’t mind a bit of graphic violence, swearing or bloodshed then you will not be disappointed with Justin Lee Anderson’s The Lost War: Eidyn.
This story was so easy to read and very enjoyable. It was refreshing that it took place in Australia with the Oz vernacular flavouring the telling, as a kiwi I very much enjoyed this.
The story is told from the perspective of our two main protagonists Starla, a big deal city girl and Ari, a nobody waif trying to grind out a living in the wastelands. When Starla’s world comes crashing down a chance encounter with Ari sets them on a path that will change them both forever.
The tale is well written and flows so smoothly that the pages just turn themselves. The dialogue is really good and the relationship between Starla and Ari builds throughout from one of suspicion to reluctant trust and then friendship. The story is at times harsh but this growing relationship is heart-warming and carries the story as their adventures twist them this way and that, challenging their understanding of the world.
Refreshingly, this post-apocalyptic adventure has no ravenous zombies. The monsters in this tale are all human, with the odd (mutated?) Dingo thrown in the mix. I have no hesitation recommending this book to anyone that loves, wasteland/post-apocalyptic books. Book Two ‘Ari Goes To War’ is due out soon I believe.
It is not often I pick up a book that so enraptures me it is hard to put it down. Devin Madson, I salute you. What a beautiful written expertly told fantasy. I loved every page and lived every moment. What a ride. Action-packed but so emotionally charged and full of intrigue. Wow.
The story is told through the eyes of three uniquely distinctive characters. You would think I would have a favourite. That I would mourn the passing of one character-driven chapter to pick up the thread of the next but I didn’t. I was so invested in each character that it just flowed. That is a really hard and really impressive ability to maintain throughout an entire book.
I particularly liked the Asian feudal feel to it. It was refreshingly different from the medieval European fantasy that is the standard trope. The nomadic Levanti, horse lords and fearsome warriors were reminiscent of ancient Mongols and the Khans only instead of Steppe ponies they rode towering horses. The Empire of Kisia had hints of ancient China but woven into a unique creed and history.
The story is left on a knife-edge for all three of our protagonists and I can’t complain having been guilty of a few cliffhanger endings myself. It just means I’m going to have to buy the second book….oh wait I already have.
If you love fantasy then I highly recommend this book. ‘Take a look inside’ and if that first chapter doesn’t grab you then maybe you need to take a long hard look at yourself.
This book was the #indiebookclub read for March. I love Science Fiction and Fantasy and the premise of this book was intriguing enough that I looked forward to it.
Unfortunately, it did not quite match my expectations and the storytelling was not to my taste. I felt the author spent to much time on the mundane, descriptive narrative of everything, from getting up, showering, brushing their teeth, drinking coffee to getting in the car.
The story had promise and at times was a real page-turner, it just was not sustained. I didn’t buy it either. This completely rounded person, the hash the state made of things from the getgo just didn’t add up for me which is a shame because it could have.
The emotion…oh my gosh there was a lot of emotion, from everyone. It was well written but there were angst and tears not just from Rebecca our protagonist but everyone. The guys were all touchy-feely, a lot of impromptu hugging and new-age in touch with themselves that at times just felt two-dimensional. Some readers no doubt will love all this but it wasn’t my cup of tea. To me, this felt like a romance dressed as a techno-thriller.
However, there is no denying that Helen E Slater can write. There were a few typos but nothing to detract too much from the story and the conversations, and narrative were good between the players. So I think some readers will like this story and I suggest taking a ‘Look Inside’ if it appeals.
I bought this on Amazon after taking a ‘look inside’ and was immediately drawn to the story which begins with a seven-year-old Takeda Taro.
I must confess that whilst I have not read many books set in feudal Japan I have an unsated interest in this genre of historical fiction that began when I read Shogun by James Clavell, one of the best books I have ever had the privilege of reading.
This story is the tale of TARO and the author explains before it is started that it is the amalgam of three different folk tales of our eponymous hero. In simple terms, it is a story of how one young boy grew to unite all of Japan.
I found the book was well written and very engaging to read if not quite what I was expecting (which was entirely my fault since I skimmed the introductory references). It is a folk story and I was so engrossed at the beginning I was not prepared for the magical elements of the story to unfold. It made it more fairy-tale and was not quite what I was looking for in my said desire of reading about Feudal Japan. However, that would be a disservice to the book because the fantastical elements are crucial to the narrative. TARO’s story unfolds in a beautifully concise yet descriptive way that moves at a great pace that kept me engaged.
I would have liked it to have been longer, with more time taken over the adventure to turn into a proper tome but that is not suited to a folk tale I guess. The fight and battle sequences imparted enough but brusquely, almost like a summarised account which worked, but again I would have preferred more time and detail. I could say the same about the various characters. There are so many interesting and intriguing ones, I just wanted to spend more time with them and see the interactions and relationships build and grow. But again, it is a folk tale told as a story so it is admirable that I should feel so invested in each character after such a short introduction.
Overall, I think this is a great read and I am so pleased I picked it up.
5/5 A blended sci-fi fantasy from a master storyteller
I first read the Many-Coloured land when I was eighteen and whilst the detail of it had faded and the language and more technical aspects were heavy going for my young self, the memory of the story remained.
My son gave me a copy for Christmas and so – thirty years later here I am again. I have to say I thoroughly enjoyed the re-read. Much more so in fact than I expected. The tale is of Group Green, eight individuals transported on a one-way ticket back in time to Pliocene earth and an unexpected encounter with exotic beings.
The tale is masterfully told in the third person objective style. A style I have not read for a while and I loved it. It did not paint me a tale of feelings and emotions – those were garnered by the character actions and interactions and it is powerful in that way in that it is not intrusive. There is no hero or villain but I cared for them all anyway. I never had the feeling any character was particularly safe, or morally righteous/corrupt, just flawed and very human and each and every one unique. It is almost a cosplay for the cast, each taking the trip through time to live the fantasy they couldn’t in the modern, alien advanced world of the galactic milieu which had flung humanity far and wide in the galaxy.
The book was first published in 1981 and it has that authenticity of authorship. The writing unreserved, smart and expansive. An economy of language that conveyed a fascinating tale with depth and precision but without pages of tedious expansive explanation.
I thoroughly enjoyed this book and will be moving on to the second of the trilogy ‘The Golden Torc’ I think you should all join me.
I picked this up on a free/discounted promotion after the ‘Look Inside’ intrigued.
It’s quite a dark sci-fi that set’s it stall out early doors. It is not for the squeamish. It is full throttle, non-stop action. There are no heroes, the characters are flawed and villainous none more so than the main protagonist Edith.
But don’t let that fool you. It is not as simple as that, the story is deeper. After reading the first few chapters, the author started to flex what seemed a fairly two-dimensional story into a compelling and complex tale and she did it so seamlessly that it sucked me in and that was me hooked.
There are some issues but these pale into the background against the story woven. Mostly a few grammatical errors and a few places where I had to re-read the paragraph to get the meaning and (in my opinion) the narrative could be tightened to redress these few areas but I am nitpicking. The quality of the storytelling is some of the best I have read. The layers to it are so well crafted and revealed so compellingly.
I love science fiction and read a fair bit but it has been a while since I enjoyed a science fiction story as much as this one. I can’t wait for the next and for lovers of dark sci-fi I highly recommend this book.